cameron moll archives
“There is a marked difference between the introspection that focuses on ‘How did I do?’ and the introspection that asks, ‘Did I do enough?’”
Neal A. Maxwell, All These Things Shall Give Thee Experience

posted by cameron on Thursday, Jun 05, 2008

The playlist from last Friday’s workshop (iTunes required).

posted by cameron on Monday, Jun 02, 2008

Yeah, sadly, that’s me. Scanned for the introduction to last Friday’s in-house workshop (First Principles of Visual Design). I think I’m about 15 in this photo. Sweet mother of hair!

posted by cameron on Monday, Jun 02, 2008

msnbc.com’s Spectra Visual Newsreader is a pretty fascinating visual experience. I don’t know about the long-term utility of something like this, but I love that msnbc.com continues to explore the outer boundaries of the online news experience.

posted by cameron on Wednesday, May 21, 2008

Album artwork by Scott Hansen (Tycho), including a new single from the same. (Can you see two faces in the one on the right?)

posted by cameron on Tuesday, May 20, 2008

A screen from this morning’s live testing of a mobile web app we’re currently developing. (Sorry, can’t give any details yet.)

posted by cameron on Wednesday, Apr 30, 2008

The ampersand. “Though it feels like a modern appendix to our ancient alphabet, the ampersand is considerably older than many of the letters that we use today…. As both its function and form suggest, the ampersand is a written contraction of ‘et,’ the Latin word for ‘and.’”

posted by cameron on Tuesday, Apr 29, 2008

“The relationship between client and designer … constitutes a significant part of the design process. The way that designers perceive and understand problems is to some extent a function of the way this relationship works.”
Bryan Lawson, How Designers Think

posted by cameron on Thursday, Apr 17, 2008

Promotional garbage such as this reminds me why I switched to Mac OS… a full 10 years ago. (Has it been that long?)

posted by cameron on Wednesday, Apr 16, 2008

posted by cameron on Wednesday, Apr 16, 2008

Flickr Video, a “long photo”. My “sources” tell me this has been in the “works” for “some time now”. End finger air quotes.

posted by cameron on Wednesday, Apr 09, 2008

So, I’m reneging a bit, but only a wee bit, on the Seed Conference site I linked to earlier. Look at the markup or disable styles and you’ll see what I mean. (The visual integrity of this site probably could have been retained without the presentational breaks throughout.)

posted by cameron on Thursday, Apr 03, 2008

I’ve tweeted these, posted them on my own site, and I’ll repost them here yet again ‘cause they’re so incredibly well-designed: The New UK coins, which contain “the Shield of the Royal Arms … cleverly split among all six [coin] denominations.”

posted by cameron on Thursday, Apr 03, 2008

@Pete, also notice the Amazon arrow points from a to z. Another subtle play on the site’s “A to Z” offerings.

posted by cameron on Thursday, Apr 03, 2008

The User-Needs Gap

When occasion permits, which isn’t often, I allow myself to study Bryan Lawson’s excellent book, How Designers Think. I’ve read parts before, but I’m now attempting to read it cover to cover, and about the only way I can do that is to carry it to work and back just about every day.

At lunch last week, I happened to have the book in hand. Coincidentally I flipped ahead to the chapter “A model of design problems,” which is an examination of “generators” (or groups of people) involved in the design process and the constraints they collectively and individually face.

Lawson’s description of the Users group, and particularly his analysis of the gap that exists between this group and the Designers and Clients groups, so completely and perfectly articulates a point I’ve argued repeatedly—that servicing user needs strictly through the voice a client or other mediator presents challenges in understanding and resolving true user needs.

Lawson’s background is in architectural design, but he intended the text to apply to all disciplines within design. As such, there are clearly parallels to user experience design.

Below is an extended excerpt, and above is the diagram referenced in the text:

A great deal of design today is commissioned by clients who are not themselves the users. Public architecture such as hospitals, schools or housing is usually designed by architects who have relatively little contact with the users of their buildings. Industrial design and graphic design are directed at a mass market and are usually commissioned by commercial clients. The traditional image of the designer establishing a personal relationship with a client/user is grossly misleading…. Frequently communication between designers and their users is both indirect and, as John Page has argued, filtered by organisational politics….

In local authorities, for example, both the politicians and administrators may attempt to establish themselves as the communication channel between the designers and the users outside in order to force through policy or maintain a powerful position in the system. On balance such organisational barriers, whatever advantages they give to the client body in terms of increased control over the designer, serve only to make the designer’s task of understanding the problem more difficult. Even if there are not barriers there are what Zeisel (1984) has called ‘gaps’. He referred to ‘paying clients’ and ‘user clients’. He showed that while there might often be good communications between designers and paying clients, both have a gap in their communications with user clients (Fig. 6.1)....

As many young designers must have found on leaving design schools, it is one thing to design for yourself but quite another to design for a real client with personal and institutional prejudices and biases. When that client is not even the prospective user of the design, the problem becomes even more remote. This increasing remoteness of designers from those for whom they design has created the need for user requirement studies. Almost in desperation designers have turned to social and human scientists from ergonomists through architectural psychologists to urban sociologists to tell them what their users actually need. By and large this liaison between design and social science has not been as practically useful as was first hoped. Social science remains largely descriptive while design is necessarily prescriptive, so the psychologists and sociologists have gone on researching and the designers designing, and they are yet to re-educate each other into more genuinely collaborative roles. Meanwhile the communication between the creators and users of environments often remains uncomfortably remote.

I sure hope Lawson addresses this conundrum later in the book, because I’m left wondering what can be done to eliminate this gap—aside from the obvious of just speaking directly with users, which, as Lawson stated, isn’t as easy as it seems given organizational politics. But at least for now I now have a well-articulated text I can refer to the next time this discussion pops up.

posted by cameron on Wednesday, Apr 02, 2008

Speaking of typography, a brief history of the pilcrow, or paragraph mark as we refer to it today. “It’s tempting to recognize the symbol as a ‘P for paragraph,’ though the resemblance is incidental: in its original form, the mark was an open C crossed by a vertical line or two, a scribal abbreviation for capitulum, the Latin word for ‘chapter.’”

posted by cameron on Wednesday, Apr 02, 2008

No images, pure typography… the result? Seed Conference site. As Jon Hicks put it, “A truly inspirational site, showing how Times New Roman can look great in the hands of someone that knows what they’re doing.”

posted by cameron on Wednesday, Apr 02, 2008

An iBerry?

posted by cameron on Monday, Mar 31, 2008

“Everything I have made is absolutely unnecessary.”
Philippe Starck, in an interview with German newspaper Die Zeit, also announcing he will retire soon. (Wow, I hope I can say just the opposite and yet still have as prolific a career.)

posted by cameron on Friday, Mar 28, 2008

Blueprint + 10px = 960.gs.

posted by cameron on Monday, Mar 24, 2008